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A sculptural study in proportion and restraint, this rare set of four "Viscount" arm chairs by Dan Johnson represents one of American mid-century design's most quietly extraordinary achievements. Johnson — better known for his work produced in Rome during the 1950s — brought an unmistakably Italian sensibility to these chairs: elongated, needle-tapered legs that seem to defy gravity, a floating kidney-shaped backrest suspended between twin rear posts, and a delicate brass bar that traces the armrest in a single unbroken line, terminating in brass ferrules at the front posts.
What makes the Viscount exceptional is its economy of gesture. There is nothing superfluous. The scalloped apron beneath the seat, the sculptural swell of each post, the precise angle at which the back tilts — every detail has been considered and nothing revised away. The frames are crafted in beech, finished in a warm walnut stain that accentuates the verticality and architectural rhythm Johnson was after. The seats and backs have been freshly upholstered in cream leather, clean against the dark wood and brass.
Sold as a set of four. Versatile enough for a dining room anchored by a round pedestal table, refined enough for a study or library, striking enough to carry a living room on their own.
A sculptural study in proportion and restraint, this rare set of four "Viscount" arm chairs by Dan Johnson represents one of American mid-century design's most quietly extraordinary achievements. Johnson — better known for his work produced in Rome during the 1950s — brought an unmistakably Italian sensibility to these chairs: elongated, needle-tapered legs that seem to defy gravity, a floating kidney-shaped backrest suspended between twin rear posts, and a delicate brass bar that traces the armrest in a single unbroken line, terminating in brass ferrules at the front posts.
What makes the Viscount exceptional is its economy of gesture. There is nothing superfluous. The scalloped apron beneath the seat, the sculptural swell of each post, the precise angle at which the back tilts — every detail has been considered and nothing revised away. The frames are crafted in beech, finished in a warm walnut stain that accentuates the verticality and architectural rhythm Johnson was after. The seats and backs have been freshly upholstered in cream leather, clean against the dark wood and brass.
Sold as a set of four. Versatile enough for a dining room anchored by a round pedestal table, refined enough for a study or library, striking enough to carry a living room on their own.
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Wood Care
Keep the furniture in a cool, dry place
Avoid furniture's direct exposure to rain, sun or wind
Avoid placing hot objects directly on the piece to prevent undesirable marks or permanent circles.
Avoid placing objects that may cause scratches to the surface
Clean using water only in small quantities and apply it with soft, damp cloth
After damp cloth wipe with a soft, dry cloth
You can use other liquids that are especially for cleaning wood furniture. Take into account the type of wood and follow the manufacturer's instructions
Upholstery Care
Do not expose directly to sunlight to provide greater durability colors
Exchange both side pads, the seat and backrest, to obtain uniform wear
Shake the cushions regularly to remove dust and to maintain the stability of the form
Clean regularly with a vacuum cleaner in good condition
Use a textile fabric cleaning substance according to and following the manufacturer's instructions
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