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Restored beautiful striped wood end tables by Milo Baughman for Directional. These are absolutely stunning in person. These tables are made of alternating rosewood, oak, and walnut. The tabletops sit upon a black lacquer steel base that is curved at the bottom, giving these tables an elegant and modern profile.
Dimensions: 28" W x D 22" x 19.25" H
ABOUT THIS DESIGNER:
Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, such as chairs, sofas and benches. He had a particular talent for lounge chairs, perhaps the most sociable piece of furniture.
Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. He was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on seating and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.
Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating.
Restored beautiful striped wood end tables by Milo Baughman for Directional. These are absolutely stunning in person. These tables are made of alternating rosewood, oak, and walnut. The tabletops sit upon a black lacquer steel base that is curved at the bottom, giving these tables an elegant and modern profile.
Dimensions: 28" W x D 22" x 19.25" H
ABOUT THIS DESIGNER:
Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, such as chairs, sofas and benches. He had a particular talent for lounge chairs, perhaps the most sociable piece of furniture.
Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. He was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on seating and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.
Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating.
See why our clients trust Hobbs Modern:
Wood Care
Keep the furniture in a cool, dry place
Avoid furniture's direct exposure to rain, sun or wind
Avoid placing hot objects directly on the piece to prevent undesirable marks or permanent circles.
Avoid placing objects that may cause scratches to the surface
Clean using water only in small quantities and apply it with soft, damp cloth
After damp cloth wipe with a soft, dry cloth
You can use other liquids that are especially for cleaning wood furniture. Take into account the type of wood and follow the manufacturer's instructions
Upholstery Care
Do not expose directly to sunlight to provide greater durability colors
Exchange both side pads, the seat and backrest, to obtain uniform wear
Shake the cushions regularly to remove dust and to maintain the stability of the form
Clean regularly with a vacuum cleaner in good condition
Use a textile fabric cleaning substance according to and following the manufacturer's instructions
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