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Poul Nørreklit desk model GP 160 by Georg Petersens Møbelfabrik, Denmark
A striking example of forward-thinking Danish Modern design, this rare Model GP160 executive desk by Poul Nørreklit is a bold exploration of material and form. Designed in the late 1960s and produced by Georg Petersens Møbelfabrik, this piece showcases Nørreklit’s modernist vision and experimental spirit—standing apart from his more conservative contemporaries.
The desk’s architectural frame features two monumental slabs of crystal-clear Lucite as side supports, a daring choice that visually suspends the richly figured rosewood case and creates a sense of lightness and tension. The case appears to float between the Lucite, connected by sleek aluminum spacers. The three drawers are faced with brushed aluminum and finished with minimalist nickel-plated pulls, delivering an industrial contrast to the organic warmth of the rosewood. The materials feel fresh even today, and the design clearly anticipates the American Lucite trend of the 1970s, pioneered by designers like Charles Hollis Jones.
Nørreklit’s use of Lucite in this context was revolutionary for Danish furniture of the era, which typically favored more traditional hardwood construction. While his peers, such as Arne Vodder, Ib Kofod-Larsen, and Børge Mogensen,focused on refined forms in teak and oak, Nørreklit pushed the boundaries by incorporating cutting-edge materials and radical juxtapositions. His designs have always appealed to collectors who appreciate the intersection of Danish craftsmanship and
Poul Nørreklit desk model GP 160 by Georg Petersens Møbelfabrik, Denmark
A striking example of forward-thinking Danish Modern design, this rare Model GP160 executive desk by Poul Nørreklit is a bold exploration of material and form. Designed in the late 1960s and produced by Georg Petersens Møbelfabrik, this piece showcases Nørreklit’s modernist vision and experimental spirit—standing apart from his more conservative contemporaries.
The desk’s architectural frame features two monumental slabs of crystal-clear Lucite as side supports, a daring choice that visually suspends the richly figured rosewood case and creates a sense of lightness and tension. The case appears to float between the Lucite, connected by sleek aluminum spacers. The three drawers are faced with brushed aluminum and finished with minimalist nickel-plated pulls, delivering an industrial contrast to the organic warmth of the rosewood. The materials feel fresh even today, and the design clearly anticipates the American Lucite trend of the 1970s, pioneered by designers like Charles Hollis Jones.
Nørreklit’s use of Lucite in this context was revolutionary for Danish furniture of the era, which typically favored more traditional hardwood construction. While his peers, such as Arne Vodder, Ib Kofod-Larsen, and Børge Mogensen,focused on refined forms in teak and oak, Nørreklit pushed the boundaries by incorporating cutting-edge materials and radical juxtapositions. His designs have always appealed to collectors who appreciate the intersection of Danish craftsmanship and
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Wood Care
Keep the furniture in a cool, dry place
Avoid furniture's direct exposure to rain, sun or wind
Avoid placing hot objects directly on the piece to prevent undesirable marks or permanent circles.
Avoid placing objects that may cause scratches to the surface
Clean using water only in small quantities and apply it with soft, damp cloth
After damp cloth wipe with a soft, dry cloth
You can use other liquids that are especially for cleaning wood furniture. Take into account the type of wood and follow the manufacturer's instructions
Upholstery Care
Do not expose directly to sunlight to provide greater durability colors
Exchange both side pads, the seat and backrest, to obtain uniform wear
Shake the cushions regularly to remove dust and to maintain the stability of the form
Clean regularly with a vacuum cleaner in good condition
Use a textile fabric cleaning substance according to and following the manufacturer's instructions
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